Showing posts with label Amazon. Show all posts
Showing posts with label Amazon. Show all posts

Thursday, March 5, 2009

Author Interview:
Talking with Mel Keegan

First, let me apologise across the board … I’ve been buried in work. Blogging has had to be back burnerized and nobody is more aggravated by this than myself because for a week I’ve wanted to review The Lords of Harbendane and Legends! It’s incredibly annoying just not having the time to do this. I also want to review a couple of old favourites and some new ones, including Josh Lanyon’s The Ghost Swore Yellow Socks. Yet here I am strapped for time.

I did get the chance to talk to Mel Keegan a few days ago and since I’ve been promising a ten-minute interview, here it is. Hopefully I can get sometime over the coming long weekend (Adelaide Cup Day … big horse racing carnival) and will be able to get some reviews done then.


AG: How was the launch of Lords of Harbendane?

MK: Interesting! Successful, given the circumstances. The reading community isn’t as “socially secure” as it used to be a few years ago, and books have become more expensive. So has postage! When I began with DreamCraft, we could mail a book around the world for A$8 (about US$6). Now, it costs $16.04 (A$25.46) to mail the same book from Amazon to the South Pacific region. Has this killed local sales? Yes. Does this impact significantly on overall sales? Of course it does! However, if you remember that readers everywhere are struggling to cover their domestic expenses, it’s actually tremendously flattering when these same people pay what I, personally, consider an outrageous amount for a book. It’s US$22.50 for Harbendane at Amazon. That’s not a lot of money in Aussie terms, for a brand-new paperback, but in the States it’s way over the top. Also utterly unavoidable for a book of these dimensions.

AG: Prices are rising everywhere. I read on your blog that in a few years Amazon is expected to have taken control of the ebook market with Kindle and will start to hike the cost of ebooks…

MK: It’s been mooted, but on thinking it over I honestly doubt it’ll ever happen. I mean, they can charge US$30 (A$47.60) for an ebook novel which is, frankly, no more than a bunch of electrons, pixels, what have you … but no law says readers have to pay so much! Also, with POD publishing trending the way it is, the self-same book that would be wearing a $30 pricetag in the Amazon Kindle store would still be costing $10 via the author’s website. What kind of idiot would pay $30 for something you can get for $10? All they have to do is Google the author’s name and/or the title of the book, find the website and download the identical goods from Payloadz or whatever.

AG: I guess Amazon will find this out the hard way. You were angry and outspoken the other day on your blog also about the fact the Kindle Store is out of bounds to “foreign writers”

MK: I was steaming mad at the time. In fact, I still am, on behalf of “foreign” writers everywhere. We don’t call ourselves foreign! Aussies and Kiwis and South Africans and so forth think of folks from North American as being foreign! But, whatever your perspective on geography, you get to a critical threshold in the Kindle publishing process where they ask you for your American mailing address and American phone number. This automatically shuts out 90% of the world’s literary voices -- which would be fair enough, if Amazon.com was not infamous for dumping cheap goods into the world marketplace! As I said on the post where I talked in depth about this, to make it halfway decent and acceptable, the conduit has to run in both directions. I might still be able to sneak into the Kindle Store by getting access to a proxy address, via family in the US. But ... it's the principle of the thing.

AG: Any chance of Amazon Kindle changing its way of working, do you think?

MK: Maybe. Kindle is very new, and everything needs a shakedown, but so far the development process has taken years and they’re still US-centric. Also, the second incarnation of the Kindle gadget it out, and they’re already in trouble with it. It works just fine -- in fact, it works to well. Apparently, the gadget has a text-to-voice feature which effectively turns every ebook into an audiobook … and it turns out the Kindle’s human voice algorithms are pretty good. Mellifluous and accurate in intonation. This is really rubbing the billion-dollar audiobook industry the wrong way.

AG: So Amazon isn’t out of the woods with Kindle yet. And let’s face it, writers -- like yourself and others I know personally! -- are always out there looking for alternatives.

MK: And finding them. I stumbled into the Mobipocket Store yesterday and found myself made as welcome as I was unwelcome (as a "foreigner") at the Kindle Store. Mobi is a very different kettle of fish. It’s not the hardware that's proprietorial, it’s the way the ebook files are registered … yeah, sure, I know, we’re getting into the area of DRM [digital rights management] here, which is a huge, swampy zone. But improvements are being made, and Mobi is far better in this region than other formats like the protected PDFs -- those are a nightmare, from what I hear. Also, Mobi works on Kindle … and you can get a free download of the Mobi reader for most platforms, and then you can go ahead and download your purchase multiple times -- for your desktop, laptop, netbook, screen reader, whatever. I’m interested … very.

AG: You’re also going to Smashwords soon, aren’t you? I have a couple of readers who’re into the iPhone thing, and they’re waiting for the phone versions of some of your titles. Any info?

MK: We tried the upload to Smashwords yesterday, but they were having server issues. If not for this, two or three books would already have been there! We’ll be trying again later today. Cross your fingers for us.

AG: Hey, consider them crossed. Which titles are going to Smashwords first?

MK: Fortunes of War, The Lords of Harbendane and Dangerous Moonlight.

AG: How soon can we expect The Swordsman and the NARC series to be ready for the iPhones?

MK: April or May … sooner than that if sales are really good. It takes about 2-4 hours to convert a single book over from the DTP files from DreamCraft to the stripped files needed to make the conversion to multiple ebook platforms effective. Being a working stiff with three blogs and some remote semblance of a private life, I can only do one or maybe two per week. Bear with me.

AG: They say patience is a virtue! How’s critical response to Harbendane?

MK: So far, so good. I’ve only had reader response so far, but it’s all in the five-star bracket. I’ve sent it to Rainbow Reviews, and am optimistic that it’ll be well received there too. I’ll be sending out several more review copies in March and April. So ... any idea when you’re going to get around to a review on this blog of yours? Hint, hint. Not to apply any pressure, you understand…

AG: aarrrgghh! As soon as I can get some free time from work.

MK: Tell me about it. Finding time to blog is difficult… finding additional time to promote the blogs is even more so, which is a principal problem with Legends. I’m having a hard time catching people’s attention! I’d hoped the “viral marketing” concept would have worked: word of mouth. People tell people who tell people that there’s a FREE MEL KEEGAN NOVEL out there. Free for the download, and so on. This didn’t happen, and since I can’t access search engine traffic, promotion for Legends is a question of applying to directories … and being rejected by more of them than will give Legends a listing.

Artwork by Jade, from LEGENDS: A digital novel by Mel Keegan ... are you missing the fun?!

Art by Jade, from LEGENDS: A digital novel by Mel Keegan ... are you missing the fun?!


AG: That’s bizarre. Why can’t you use the search engines?

MK: Think about it! Google or Yahoo, whatever, picks up on keywords. Say my characters are drinking wine during the m/m seduction scene. Google would very likely send visitors to the page, who’d been searching on wine, or goblets. Or silk bedsheets. Or scented candles. They land on a page where two guys are getting it on; someone gets a shock and complains -- big trouble.

AG: Oh … yeah. Right. Duh. That could get confusing for the engines and a bit nasty if the wrong people (maybe kids???) got into pages where they absolutely shouldn’t be.

MK: Exactly. So right now, here’s Keegan’s Master Plan regarding the Legends Project. The story breaks down into five major “books,” and I’ll complete the first. The site can sit up there at Blogger, looking gorgeous (and it does!), while I figure out how to promote it without paying megabucks for adverting. Meanwhile, I’ll be finishing Hellgate. By the end of the year, Legends will either be attracting readers … or not. If it’s not, the site will come down and I’ll go on and finish the whole project for issue via Mobi, Smashwords, Payloads, Amazon, whatever. The whole thing was an experiment, after all -- you have to remember that “negative data” is useful too. What I’ve learned so far is that not too many people are interested in following a serial! And/or they have no real use for ebooks, so reading fiction on-screen is anathema. Or, they don’t like the action broken up into daily doses. Or, they don’t care for fantasy. You add those things together, and you get a fairly small nucleus, or core, of readers who are enjoying it … just too few people to make the project a success.

AG: And are readers being supporting via the advertising?

MK: Not really -- and this is where I’m very surprised indeed. We had a flush of people supporting Legends in the first week, but right now we can go 1,000 page loads without getting a click on a Google ad, for instance … and the click, when you do get one, is worth about 15c. I understand about people not wanting to donate $1 (we’ve had the mighty sum of 7 of those clicks in a month -- I’m very grateful to those people who did indeed click!), and I also understand about people not shopping at Amazon, because folks are counting pennies -- myself included! But there are ways to be supporting that don’t cost the reader anything at all, and it seems that very few people are sensitive to this issue.

AG: In other words, they’re happy to swing by every day and get the fiction, but they don’t want to trade anything at all for it…

MK: Most people swing by once at week (at the weekend) and collect 10 segments at once, and vamoose till next week. I don’t at all mind people doing this -- it makes sense! But with one visit per week there doesn’t appear to be any impetus to offer some support, even be it just a click on some item that everyone in the world knows will vector a microscopic gratuity back to the host. It’s curious to watch what’s going on, and this is also a valuable part of the experiment. It’s just important to be patient, leave no stones unturned, give the project the full energy and creativity it was supposed to have, and allow enough time for it to “cook” properly.

AG: You’ve got a lot more patience and perseverance than I would have! Last question … what are you writing now?

MK: Obviously Legends, but unless there’s a miracle, I’ll be putting that onto hiatus at the End of Book One. I’m spending the rest of the year to finish Hellgate. Completely. Totally. Right to the end. Then we’ll relaunch the series in new venues, with a new campaign … and see what happens next.

AG: Thanks for your time, Mel -- I know you don’t have a lot to spare and I see you fidgeting in the direction of the door! Best of good luck with all your projects.

MK: Thanks -- and it’s been a pleasure.

***

Many thanks to Mel Keegan for this interview, which will “hold” this blog while I dig my way out from the pit of work that I’ve been buried in. Next review: Lords of Harbendane. Then, The Ghost Wore Yellow Socks. I’m hoping to get back with those next week.




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Tuesday, January 6, 2009

Gay vampires -- as you never saw vampires before: Mel Keegan style

If you think you know a thing or two about vampires ... how they sleep in earth-filled coffins, hang out in creepy old houses festooned with webs, can't see their reflections in mirrors, have giant canine teeth and rip the throats out of virgin girls in graveyards in the wee small hours of the morning ... think again. Mel Keegan's vampire (or vampyre, as it's spelt in these books) are different. Very different.

These people are immortals ... but they come in two kinds, or races, or strains. First, there's the vampire themselves. who are mostly thousands of years old -- these are the individuals who've managed to survive since the time of the Battle of Troy, against at least two thousand years of persecution. They're a gentle people, old, wise, and sad, because only a handful of them have survived. They live a different lifestyle; they do sustain themselves with blood; they do fear the daylight for medical reasons ...

Leave it to Mel Keegan to think the whole thing through and diagnose an ancient virus, transmitted exactly the same way as HIV, that makes people turn into vampires -- and this is where you get your second race. The vampires are an ancient race of humans who carry the virus, and when it's transmitted to normal humans, the human mutates, or changes, over the space of months, and becomes a changeling. The changelings also become immortal but they're sterile; they carry the virus and can pass it on to other humans if they're not damned careful, like HIV. What the virus does to them is, it makes them shun the daylight the same as the elder vampire, and makes it impossible for them to digest anything but ... you got it. Blood.

And then it starts to get complicated. Changelings are caught between two worlds -- the crass, callow human world they were born in, and the elegant, glittering, ancient world they aspire to ... but the humans hunt them down and the vampire (vampyre) won't accept them, because --

Hey, read the book. I have to stop right now, because if I even try to explain, the plot spoilers will be coming thick and fast. The story focuses on two gorgeous characters. The changeling is Michael Flynn, who's a "young" Irishman, an occultist and Tarot reader who's passing himself off in London high society in 1893 as the sufferer of a rare blood disease. He's also gay, by the way ... and beautiful. (Beauty is key to the plot of Nocturne ... like I said, read the book.) At a party one night he meets Captain Vincent Bantry, an army officer who was just retired from the service, badly injured. He's spent years in the Far East and seen all kinds of strange, weird things -- but nothing that prepares him for falling in love with Michael and stumbling into the vampyre world, and wanting desperately to become part of that world. The vampire characters are amazing. I absolutely fell in love with the vampire Chabrier, and the changeling Mario/Maria. The main romance is between Michael and Vincent. It will stand your hair on end. Trust me. The combination of the occult and the spice of a gay romance can't be resisted.

The story is set in England, France, Italy ... London, Paris, the Camargue ... and, well, the book makes you shiver, just thinking about it. It's 450pp of smallish type -- a huge book -- and you won't be able to get it out of your memory for weeks. You're going to want the second book (MK says there are more to come), and I'm going to do something I don't usually do. I'm going to continue right here and review the second book at the same time -- for a good reason. If you'll just trust me enough on this to get both at one time, you can combine postage at Amazon and save yourself some money!

(Incidentally, you can also throw in other MK books from DreamCraft on the same postage bill, because they're made and shipped by CreateSpace, which is one of Amazon's own companies. I looked into how much the postage is for folks downunder -- like self -- and it comes to a big saving. It costs $16.04 to ship one book, but only $32.10 to ship THREE. Every book you add to your order, they add $8.04, so if you can ship, say, four at a time instead of four separate packages, you just saved $24.12. That's nice. We like that.)

So, here we go with the second Keegan vampire book:

This story takes place about 12 years later than the first one and it's like an "episode" ... fully self-contained, no ends left dangling, has its own guest stars and all.

(I can give you a bit of insider information here. Being a proofie at DreamCraft, I've chatted with MK enough to know that Twilight certainly is an episode. There's another episode after the First World War, and another one in the 1930s (the Indiana Jones era), and then one in the 1960s, and one in the 1990s -- one in about 2030, and one in about 2050. The series has a plan to work to, it's going somewhere. All MK needs is the time to devote to writing the stories.)

Twilight takes place in 1905 ... automobiles and telephones and the police starting to get much more scientific in their approach to detective work and forensics. The vampire are up against a tougher world now. They have to get smarter if they're going to survive and stay hidden in a world that's getting technological. But all the same old "drives" are still working, which makes life more and more complicated. Just before Twilight opens, there's been a series of murders out in the west of England ... or has there? Looking at the details of the crimes, in the newspaper, Vince and Michael think they can see a vampire or changeling at work, and people are dying out there. They go out to Devonshire and take on the investigation ...

And now, I'm about out of things I can tell you about the plot! Like any Mel Keegan book, it gets very complicated, very fast. It'll also keep you turning pages till four o'clock in the morning if you start reading too late, so -- consider yourself warned. Twilight is only about half as long as Nocturne, and it can afford to be shorter. The first book had to set up the whole world, backstory all the characters, and so on. This book is definitely an episode in the lives of Michael and Vince and Chabrier and the others. I loved it as much as the first.

Is there a downside to these books? Only the fact I wish Mel Keegan would get on and write the others. But I also understand that working a job takes time away from writing, and the books will come out when they come out. (They'd come out a lot faster if a major publisher picked up the contract and offered decent printruns and advances ... but that's every writer's dream.)

Right now, you can get these two books in one package from Amazon.com (not dot-co-dot-uk, though) for $16.04 on shipping to Aust and NZ (a lot less for shipping to US and UK obviously). And if you were interested, you can also chuck in The Swordsman for an extra eight bucks postage, and something like the new DreamCraft edition of Fortunes of War or Aquamarine for another eight bucks shipping.

Nocturne and Twilight are highly recommended. AG's rating: 5 out of 5 stars on each one, and if you add them together, I'd award a 6 if I could.




And, in case you're building a parcel to save postage (esp. to Australasia region):

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Tuesday, December 30, 2008

LA's deep, dark heart ... Jackal in the Dark

David Patrick Beavers is a writer I don't know much about beyond the standard bio (born in California in 1959 and so on). Jackal in the Dark was his debut novel, and he went on to do at least six others, one of which is a sequel to Jackal... which stands on its own plot-wise. (I was never able to get a copy of that one in the 1990s; you can get it now, but with the shipping and exchange rate it'd come out at about forty bucks, and ... well, another time.)

Jackal in the Dark came out in 1994, and you knew from the first few pages, this writer was on his way to great things. Or should have been...

I wish I could tell you more about this gifted novelist, but his in-print career seems to have hit the rocky shoals at the same at as Mel Keegan's -- and probably for the same reason. (Josh Lanyon was another casualty). What happened? Well, it's a long sad story!

GMP was bought out by Prowler, which was in turn bought out by Millivres ... and Millivres decided, around 2000, that they had no interest in continuing their paperback list, so authors like Keegan, Lanyon and Beavers found themselves in limbo. MK tells the story in a few places. (If you're interested to know what happened -- what landed at least three great writers in the realm of the POD People, have a look at this: http://mel-keegan.blogspot.com/2008/07/blue-genes-and-gay-publishing.html.)

All three writers are presently marketing their own work, and I think they're succeeding. At least, I hope all three are doing fine, because they're all way too good to be stuck in this rut. Mel Keegan is online here, Josh Lanyon is online here; and I can't find a page for David Patrick Beavers anywhere, so I'm going to let Amazon take care of it for me:



Using those links as a start, you should be able to find DPB at Amazon -- but one could wish he'd get himself a website or a blog!

Jackal... is a deceptive book, just as DPB is a deceptive writer. It's a quick read (only 129 readable pages), and just right for a wintry afternoon, or maybe an interstate bus trip. It also has a sort of "neon art" cover which won't get anybody upset on a bus or train! The covers on a lot of gay books would easily get other passengers irate, but this one is okay.

The subject matter is ticklish. It about 1978 or '79, and this 19-year-old boy is running wild. It's all discos and drugs and sex. Retrospectively speaking, it's a wonder he survived, because AIDS was just showing up at the time, though it wasn't called AIDS yet. I recall it being referred to as GRD, which stood for Gay Related Diseases. Talk about passing the buck.

Jackal... is told in the first person by our 19-y.o. "hero" who is off the rails, and it can be a bit of a "weird read" for sober souls! But it's also funny, and sometimes touching, and the characters ring so true that what's really weird is that you feel like you've been there! The book is set in LA, which everybody on earth knows from tv shows. You also know the era from the same shows. If it wasn't Starsky & Hutch, it was SWAT or something. We all watched them.

So, this is the era and the place: the stage is set. Our wild hero careens through a lifestyle that's dangerous, and runs into some characters that show you just how dangerous it could get. Like Taylor, who's a barely-of-age hustler who's getting badly beat-up by his pimp. It's only a matter of time before our hero starts to wake up to himself. One day he starts to want love instead of sex ... he wants to belong, instead of drifting through an ocean of druggy parties and anonymous encounters.

Well, too bad: you can't always have what you want. Life isn't like that, and Jackal... is an up-close, in-focus look at the way it too-usually turns out. Unrequited love, callowness, fear, vulnerability, self-destruction ... death.

Jackal... sneaks up on you. At the start you think it's going to be a romp, an absolute blast that you'll enjoy with guilt because you know how dangerous all this is. By the end, you'll wish you had a tissue handy.

The writing style is so sparse, it's virtually bald, which is something you're either going to like or not. For me, it worked well. If the book has a downside, it's the baldness of the narrative (some people don't care for it, I know) and also the shortness of the book. It's only about 50,000 words.

The length of the story also makes me say, be careful what you pay for a used copy. The Millivres edition has been out of print for a long, long time, but copies are changing hands at alibris for $45! You can get it in a new edition from Lulu.com, published POD -- and I hope this indicates that DPB is going to follow in the footsteps of MK and JL and take charge of his backlist. I think the reprint from Lulu.com costs about US$17 ... but you can also get the original at a good price from Amazon.

Also, if you don't mind reading on-screen, you can get the ebook version of Jackal... free! There's a link through from this page: http://online-novels.blogspot.com/2008/08/gay-and-lesbian-novels-1.html. Scroll down to Jackal... and click onwards.

Highly recommended. AG's rating: 4 out of 5 stars.

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Monday, December 22, 2008

Gay romance and fantasy come alive: The Swordsman

If I had a wishlist, one thing that would definitely be on it is this: "Mel Keegan decides to write a sequel to The Swordsman." Because if there was ever a book that was crying out (screaming pitifully) for a sequel, this is it.

A few times across the years I've asked MK if there are any plans to write the book and I get the same answer. "A definite maybe." I've had thoughts about organizing a letter campaign, or a petition. Or maybe, if 250 red-eyed readers showed up on MK's driveway and made vague threats while waving their arms around ... pitch torches optional.

It's not that the story of The Swordsman ends unfinished or that The End is not satisfying. It ends beautifully. You just want more. There's so much that lies ahead of these guys, and as a reader I want those stories. So write to Mel and complain, people.

The book was put out by DreamCraft in 2002, with one of the best covers that's ever appeared on an MK book. The artwork was repainted for the version that is now printed in the USA, but nothing else was changed ... for which I'm glad. You don't change what's perfect already. (If it ain't broke, don't fix it.)

The story is a romance -- in fact it's two romances in one. On the cover you see Seb and Jack (Jack being the swordsman of the title), but there's a second couple, Janos and Luc ... the gypsy shaman and the captain of the guard. And unlike a number of other gay romances and fantasies, this one has some spice! At least enough to steam up your reading glasses -- though you could give The Swordsman as a gift to a coming-out late teen, without anxiety. In other words, when you get to the love scenes, they're real ones. Gay ones. [evil grin]

Jack Leigh arrives in the Riverlands of Rhondia as a soldier of fortune. He fights for money, which he needs to rescue his imprisoned father. The pickings are rich in Rhondia ... but street fighting (dueling) is illegal, so Jack has to be careful.

Meanwhile, almost a prisoner in the citadel, Michael Sebastien d'Astaghir is in mortal danger. Somebody's trying to kill him, and they come so close to succeeding that his friend, Luc Redmayne, reckons he needs a bodyguard. So, when Luc is privileged to see Jack fighting -- and is amazed by the swordsman's skill -- he recruits Jack as the bodyguard. It's Jack's job to see that no harm comes to Seb ... which means Jack is going to get very close to Seb.

Are you drooling yet?! Don't drool too soon, because MK makes you wait for it. Seb starts out as a gorgeous, haunted, troubled, hurting ... bastard, you'd like to kick his shins. Till you realize what's going on. How he has been, and is being, abused. It takes Jack to get through his armor, and then it all happens at once.

The love story runs side by side with a tale of dark magic, horrifying revenge, and mythical creatures that turn out to be real. It's very hard to say anything about the plot without blowing it. I can tell you, it's intricate, fully developed in the Mel Keegan style ... nothing left begging, everything rich as technicolor.

The landscape of The Swordsman is dark forests, stone castles, deep caverns and the river, the canals. This fantasy world is filled out with a history, even a kind of genealogy. The one thing it doesn't have that I wish it did is a map. (I like fantasy maps. Call me weird.) The action of The Swordsman is Gothic and intense: it's like being inside a place, and you know something is out to get you, but ... what? And I really, seriously can't even hint at what it is without telling you the plot, for which Mel Keegan and DreamCraft will excommunicate me!

Does the book have a downside? Only the fact there isn't a second one! As I said before, let's get up a petition.

Highly recommended, and then some! AG's rating: 5 out of 5 stars.

You can read the first part of the book online as a PDF. I'll link you through right here:
http://www.dream-craft.com/melkeegan/swordsman_samp.pdf

And the book is currently available from Amazon:




You can also buy it in hardcover, from the Lulu Online store:

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Wednesday, December 10, 2008

Gay edutainment, way out in front

I thought everybody knew this book ... until I was talking on some website somewhere, and mentioned it ... and it turned out I was talking to a Twinkie of about 20 years old, who said "What's The Front Runner?" He or she had never even heard of it. They could quote me Captain's Surrender (Alex Beecroft), My Fair Captain (J.L. Langley), Eclipse of the Heart (Emily Veinglory - seriously, that's the pen-name), Bareback Mountain (Frank Sol), and basically anything that's doing the rounds digitally (this whole list and maybe 250 more and available at Diesel Ebooks), but if it was printed on paper ... "What's a paperback?"

Grrrr. So, even though I might be preaching to the choir in a lot of cases, I'm still going to talk about The Front Runner, because the book was published in 1974, which is 34 years ago ... maybe 16 YEARS before some of today's readers were even born!

It's possible some very young readers might have a problem with this book. The reason I say this is because PNW's fiction is about the anti-gay prejudice of the 1970s, and things have lightened up so much lately that kids who're just coming out now might find it hard to believe crap like this happened. Or else, they know it happened but they can't relate to it.

Well ... that's not good. The Holocaust happened over 60 years ago now, which is a long time before most readers looking at this page would have been born. And we'd all better find a way to relate to the Holocaust, quick, because somebody very wise once said, "Those who forget the past are condemned to relive it." I'd love to know who said that. They were so right.

So ... if you had an 18 y.o. who was just coming out and saying, "What am I supposed to read?" I'd be recommending The Front Runner. PNW's book sits right on the fence where two zones are divided. One one side you have entertainment. On the other side you have education. Front... is like a cross between the two.

(I actually went into this in a comment on someone's webpage a couple of months ago, and Mel Keegan took up the thread, and Dusk Peterson got into commenting, and quite a discussion was going on this subject -- http://mel-keegan.blogspot.com/2008/10/gay-fiction-edutainment-or.html. It all started with something I'd said on a page at Speak Its Name: http://speakitsname.wordpress.com/about/ ... so there's food for thought for you. If there was ever anything in reality where gay fiction could be called "education" I think I'd nominate The Front Runner... but it's also a really great novel.)

The story is another "gay sporting tale" so it has something in common with Out of Bounds, which I blogged about a few days ago. It also features a relationship between a very young guy (in this book it's Billy Sieve, who's an endurance athlete, a long-distance runner) and his coach/trainer, Harlan Brown, who's about 40, and thinks he's too old for Billy ... fortunately Billy has other ideas.

The book has a LOT about running, but PNW manages to make it really interesting. You'd have to be seriously allergic to sports to not find something interesting here. The relationship between Billy and Harlan is very well drawn ... but there's also a lot of very very angsty material. Reading it back in the 1980s, I really did feel keenly for the characters. Reading it in 2008 -- you are very aware that it's a historical. But at the same time, the recent Proposition 8 situation in California makes you realize gay rights are still delicate. Which makes The Front Runner poignant all over again.

The book has an extremely sad ending. Billy does get to run in the Olympics, but as the first openly gay gold medal winner, someone in the grandstand has a big problem with him ... and a high-powered rifle.

Again, you have to remember: The Front Runner has turned into a historical. In the days of the "War against Terror" where you get to walk through metal detectors and get frisked on your way into a footy game or cricket match, and you're under the eye of CCTV everywhere you go, younger readers would probably find it utterly unbelievable that anyone could get into the Olympic stadium with a rifle.

But in the 1970s the security wasn't there. It could happen. No gay athletes got shot, but it definitely could have happened. Very nasty events took place at Munich in 1972, where people weren't killed for being gay ... they were killed for being Jewish. In fact, they made a movie about it a couple of years ago. (Drat. I'm old enough to remember watching Munich '72 on the news as-it-happened.)

So... The Front Runner. Great book. Historical. Highly recommended. Is it edutainment? Read it and make up your own mind. I love the book, because it's not "just" a gay love story where everything turns out right in the end ... everything doesn't! The book is a gay love story where everything goes wrong. It's a story about freedom, gay rights, human rights. Oh, and long distance running. You can definitely, positively get copies from alibris or Amazon.

Highly recommended. AG's rating: 5 out of 5 stars.

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Monday, December 1, 2008

Mission Statement

This blog is going to be something I've wanted to do for a long time ...a site about gay books, gay writers, gay stories. My favorite books and writers. Not just the new books which are coming out now (the books that get reviewed everywhere because they're new), but the books that were great 10 and 20 and even 30 years ago --

Because, let's face it, you can go to Amazon or alibris or eBay or somewhere, and search on the titles of these books, and it's a dead certainty you'll be able to get a used copy. You might even be able to get an ebook. A lot of these writers are taking responsibility for their own books these days. They do their reprints at companies like Lulu, or else they do ebooks.

So I'm going to be talking about my favorite gay books from all eras, not just what's coming out now, because you can order a used book off alibris or something just as easily as you can order a new book off Amazon or B&N.

And the fact is, a lot of the really good gay reads came out years and years ago. They shouldn't be forgotten -- but they WILL be if nobody talks about them, because (it's no secret) the publishing industry is lobotomizing itself, it's melting down. The chances of these really great books being reprinted is zip. So, unless they're going to be forgotten, folks like ME have to tell folks like YOU what they are, and where to get them.

(It'd be way too much to dream for that publishers somewhere would be reading this, and might give these great writers, and great books, a reprint. It might happen with ebooks ... gives you something to hope for.)

So I'll be back in my next post ... and I'll get started!

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